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TIPS FOR JANUARY 2004
Recently I've been tutoring a woman
who's not a native English speaker. Though she speaks English well, she
admits to having great difficulty with English spelling. We've started at
the beginning, working on phonics, particularly the vowels.
Though there are some basics (long vowels have the sound of the name of
the letters), there are enough exceptions to drive her crazy. We've
pounded the related rule that words like "sit," which has one syllable
and ends in one consonant preceded by one vowel, will have short vowels.
Then if you add a silent "e," the vowel becomes long. Knowing that rule
can help with both pronunciation and spelling.
You may also remember the rule that says, "When two vowels go walking,
the first one does the talking." This rule works just fine with words
like "brain," "road," and "teach," but what about "vein" and "bread"?
(These are just a few examples of exceptions.)
Then when I informed my student that there are some short words with the
same sound but three spellings and three meanings, she heaved a sigh and
rolled her eyes. Examples: pair, pear, and pare; and vein, vane, and
vain. In these situations, I told her, all you can do is memorize!
Words like "vain" and "vane" illustrate how these two rules clash (i.e.,
they're each consistent but produce different results). At least you know
that, in most cases, one of these two rules will give you the correct
spelling.
Neither of these rules, or any others, will help you with other pairs
that sound alike but have different spellings and meanings. In such cases
you can really embarrass yourself by using the wrong word. I recently
read a book by a linguist that made this type of mistake twice (bad
editing!).
One was the author's confusing of "discreet" and "discrete." (The latter
means "individual.") The other was using "compliment" ("praise") instead
of "complement" ("complete").
Moving on to more "sophisticated" mistakes, we come to the habit of
confusing the pronunciation of similar words. President Bush committed
this sin in a recent speech. The first time he made the error, I thought
it was just a slip of the tongue. But the second time, I knew better,
even if he didn't. What he did was to say "commiserate" when he meant
"commensurate." No excuse for that. Adding insult to injury, he
pronounced "commiserate" without a long "a."
TIPS FOR FEBRUARY 2004
Someone called in to a talk show
recently asking about the relative simplicity of the English language.
His view was that English has become the "universal language" because it
is so predictable and straightforward.
Wrong-at least in some ways. Every language has its peculiarities, its
pluses and minuses, and English thus offers both good news and bad news
to those who want to learn it.
Here is some of the good news:
First, English has what's termed "grammatical gender." This means that
people and things that are naturally male and female are also
grammatically male and female, and things that have no gender (like
shirts and trees), are grammatically neutral.
By contrast, French requires that every noun have a gender, seemingly
random, as if drawn from a hat. For example, shirts in France are
uniformly feminine; the word "professor" is masculine, even if the
professor is a woman.
German adds one more gender-neuter-which is even more irrational. The
word for "maiden" in German is one of those thrown into the "neuter"
category.
Every time people use the French or German equivalent of "a," "an," and
"the," they have to choose different forms, whereas in English, "a,"
"an," and "the" are used with all nouns.
English is also simpler than many other mainstream languages because it
has relatively few word endings. Some languages have different endings to
denote subjects, direct objects, indirect objects, etc. And French has
six endings just in present-tense verbs. (English has one, the "s" on
third-person singular (I see, she sees).
However, English presents a number of formidable hurdles. One key
difficulty is the size of the vocabulary. There are often several
synonyms for the same idea (such as speedy, swift, rapid, quick).
Another issue is the inconsistency of English spelling. This defect is
partly the result of borrowing words from other languages-but keeping the
spelling and pronunciation of the original language.
Many people who learn English as a native language complain about the
random nature of prepositions. For example, we get in a car but on a
plane. We can say we're happy WITH or ABOUT something. You can have an
opportunity FOR advancement-and the list goes on. (In French, "a" and
"de" are used the majority of the time, so there are fewer possibilities
to choose from.)
Verb tenses are also a big headache. Technically, English has only six
tenses (present, past, future, present perfect, past perfect, and future
perfect), whereas French has about seventeen, but in reality English has
many variations. Even natives have some difficulties with tenses, but we
won't go any deeper into this subject.
As to complaints about our idioms, save your breath. Every language has
them. ("Save your breath" is one of those idioms.)
TIPS FOR MARCH 2004
No matter how I try to restrain
myself, I keep coming back to the very important topic of subject-verb
agreement. Two recent incidents prodded me into revisiting the issue.
First, a journalist friend who is very conscientious about language asked
me about a sentence he'd written that he was uncomfortable with. Here's
the part of the sentence that bothered him: "The majority of the crowd
was…."
What concerned him was the correctness of the verb choice. The sentence
sounded wrong and awkward to him, even though it was correct. The
subject, "majority," is singular because it's modified by a phrase that
contains a singular word, "crowd." This rule applies to all subjects that
refer to percentages and fractions.
Thus it would be correct to say, "The rest of the grass was left unmowed,"
because "grass" is singular. Conversely, it would be proper to say, "Some
of the guests have not arrived yet," because "guests" is plural.
My friend understood the concept, but he chose to reword the sentence.
Chicken!
The very next day I spent a few leisure moments reading a nature
magazine, but my pleasure was soon interrupted by two subject-verb
agreement errors in a single article on harp seals in this very
prestigious publication.
Here's the first one: "The rhythmic rise and fall of their heads looks
like pistons coupled to an invisible crankshaft." The plural subject is
"rise and fall," but the verb is the singular "looks." The shocking thing
about this mistake is that, even to me, it sounds correct as written. If
you even run into a similar situation, you may want to rewrite the
sentence, just as my journalist friend did with his own sentence.
The crowning blow was a sentence that appeared a few pages later in the
same article: "The yowling, mewing, gargling, and wailing of harp seal
pups fills the air." There is simply no excuse for this mistake. In fact,
the incorrectly singular verb, "fills," has four subjects. If this isn't
the place for a plural, I don't know what is.
My suggestion is that you read through every letter, proposal, and report
to check for subject-verb agreement. You may not catch every one, but
you're almost sure to catch some of them. And don't depend on your
grammar checker. It doesn't detect mistakes in many long, complex
sentences. It's more human than you might have thought!
TIPS FOR
APRIL 2004
For the past several months I have
been tutoring a native of Germany who speaks English well but wants to
improve her spelling. I originally thought this would be a breeze, but I
have since been reminded of the often-frustrating inconsistencies between
the spelling and pronunciation of English words-inconsistencies that most
native speakers take for granted.
Consider the "oo": the most common pronunciation of this combination
occurs in words like "moon," "loose," and "groove," but not in "good" or
"brooch." In fact, these last two have different pronunciations from each
other.
Then there's the "ow" sound, as in "howl" (but not "bowl"), and "bow"
(bend down) but not "bow" (tied ribbon). And the "ow" sound in "howl" can
be spelled at least one other way, as in "shout" (but not "group"). See
what I mean?
These are just the tip of the iceberg in regard to vowels. Now let's move
on to the consonants. First there are the silent consonants at the
beginnings of words: "know," gnat," "ptarmigan," "pneumatic," etc.
Creating problems at the end is the "mb" combination, with the "b"
silent, as in "comb," "thumb," "limb," and "lamb." And note that even
though "comb" and "tomb" appear to rhyme, they don't.
Another stumbling block is the silent "t" that precedes the "ch" in
common English words. But I believe I've made a breakthrough: I've found
a pattern (different from a rule) that should aid people struggling to
master English spelling.
Here's the deal. If a word contains two vowels together before the "ch,"
there will be no "t." Examples: "screech," "touch," "beach," "roach." But
if there's a single vowel, the "t" should be added: "botch," "ratchet,"
"catch," "fetch," "hutch," and "snitch." So far I haven't found an
exception, though there probably are some. What would English spelling be
without exceptions?
Also problematic are the words that are related in meaning but are
pronounced differently depending on whether they are used as nouns or
verbs. Consider "record," "present," "produce," "refuse," "object," for
example. I know you pronounce each of these in two distinct ways,
depending on context.
Also dependent on context are words like "wound," past tense of "wind,"
and "wound," an injury; "dove," a bird, and "dove," past tense of "dive";
"does," a verb form, and "does," plural of "doe." I could go on and on,
but this is enough for one month. (But what about "enough"? "Though"
doesn't rhyme with it, and "trough" doesn't rhyme with either one of
them!)
TIPS FOR MAY 2004
Where have all the commas gone? Gone
to the wrong places, every one. When will they ever learn?
Well, maybe the situation isn't that extreme, but you get the point. If
you look closely, you'll see that many needed commas are AWOL, and others
appear where they're not welcome.
So why do commas matter, if the ideas are clear? That's just the point.
Missing or superfluous commas muddy the waters of clarity and force
readers to slow down and/or reread. Clarity, clarity, clarity must be the
mantra of business writers.
Let's start with those pesky little critter-commas that have no reason to
live. Introductory connectives like and, but, so and yet need to be
followed by commas only when an immediately following phrase or clause
requires commas.
Note this sentence: "So, what can we expect from the Fed in the next few
months?" The comma after so is absolutely unnecessary.
But there's a different situation in this example: "And, if you believe
that, I've got some land to show you in West Texas." In this case, the
clause "if you believe that" is set off from the rest of the sentence by
commas.
Extra commas often appear before the phrase as well. It is generally
positioned at the end of a clause, as in the sentence "We'd like to talk
further about this issue as well." No comma is needed.
Appositives often have either unneeded or missing commas. Two tools are
needed to correctly punctuate them: understanding what appositives are
and distinguishing between restrictive and nonrestrictive appositives.
Definition: An appositive is a word or phrase that restates and provides
additional information about a word that precedes or sometimes follows
it).
.
Example: "An author and historian, Jay Winik wrote a powerful book, April
1965, which details the key events occurring at the end of the Civil War"
and "George Washington, the first president of the United States, changed
his will to free his slaves after having a powerful dream."
In the first sentence, "an author and historian" is an appositive
modifying the subject, Jay Winik; and April 1865 is an appositive to
book. In the second, "the first president of the United States" is an
appositive following the subject, "George Washington."
These appositives are nonrestrictive-or unnecessary. This concept is
logical: the less necessary a word or phrase is in a given sentence, the
more likely it is to be set off by commas. (You don't, for instance, use
commas to separate the verb from the rest of the sentence.)
Some appositives (and some clauses) are restrictive-necessary to identify
the word they are in apposition with. In the sentence about George
Washington, his name alone identifies him; appositives merely give
additional information.
In the sentence "Randy's brother, Russ, is a professional researcher,"
the absence of commas before and after the appositive, "Russ," means that
Randy has only one brother. In other words, it's clear who's being
discussed; the name is just extra information.
If the sentence had been written "Her brother Russ is a professional
researcher," the sentence indicates that the woman had at least two
brothers, so the appositive is needed to identify which one is the
researcher. Showing differences like these can be critical in reports and
proposals, especially when technical material is directed to a
nontechnical audience.
Here's a great example of a crucial difference a comma makes: "Stop the
fourth man who has a gun" or "Stop the fourth man, who has a gun."
Suppose you were handed a note with this sentence without the comma.
Which man would you stop? Making the right choice could have
life-and-death consequences.
In the sentence with the comma, your action is straightforward. You
simply count to four, stopping the fourth man. (And by the way, be
careful, as he has a gun.) The nonrestrictive element is "who has a gun."
With no comma, the clause "who has a gun" is restrictive (necessary). In
this case you count only the people who have guns, stopping the fourth
gun-toter.
If all else fails, listen to your voice when deciding whether to add or
delete commas. You will naturally pause where commas are needed.
Where have all the commas gone? Perhaps now more of them will gravitate
to the places they belong.
TIPS FOR JUNE 2004
I don't know what it is about capital
letters, but most people just can't seem to get the rules straight - and in
some cases they know the rules but choose to ignore them.
One area that causes confusion is what to do about people's titles. The
short answer is that in sentences, titles are capitalized only when they
precede names.
Example: Bill Miller, president and CEO of the company, greeted guests at
the gathering.
And: At the gathering, President and CEO Bill Miller greeted guests
personally.
Also: At the gathering, our president and CEO, Bill Miller, greeted
guests personally.
The third sentence is different because, as you see, the name is set off
by commas, so it's not part of the main sentence, so the rule about
placement and caps doesn't apply.
Someone asked me recently about whether to capitalize the word president
when referring to the chief executive of the United States. Technically,
the same general rule applies as with other titles, but not every
organization follows it. Time magazine, capitalizes it in all cases:
e.g., "The President held a press conference in the Rose Garden."
Another issue is whether to capitalize the name of an organization in
references after the full name has been written. Here's what I mean:
The Smithsonian Institution is bringing a traveling exhibit to town next
month. The institution plans a one-month stay.
However, lots of organizations write press releases, proposals, annual
reports, etc., in which they capitalize words like company without the
full name. But you'll notice that newspapers do not follow this practice,
as it's against the law (the grammar laws)!
Another common rule that everyone has heard about since elementary
school, but that evidently many people don't remember, is that the names
of the seasons are not capitalized (except in situations where words are
always capped, such as at the beginnings of sentences or in titles).
Example: We plan a trip to see the leaves in New England next fall.
To cap off this lesson, let me wish you a capital day!
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